Off the Shelf reviews one horror novel each month. These novels are reviewed for craft, originality, atmosphere, impact, and lasting aftertaste.

THIS MONTH'S HORROR NOVEL REVIEW

Bone of My Bone
Grim, gorgeous, and dangerous—like lighting a candle in the wrong chapel

Bone of My Bone
by Johanna van Veen

 

Bone of My Bone is historical folk horror at its most intimate and unforgiving—war-torn Bavaria, a stolen saint’s skull, and two survivors bound together by faith, hunger, and something ancient in the woods. Lyrical, grim, and relentlessly atmospheric, it lingers like a prayer you can’t finish.

CATEGORY: Historical Folk Horror / Gothic Horror
SETTING: Bavaria, 1635 (Thirty Years’ War)
LENGTH: ~350–368 pages (edition-dependent)
PUBLISHER / DATE: Poisoned Pen Press — May 26, 2026

NUTSHELL VERDICT:
A brutal, lyrical march through war-torn Bavaria—where faith rots, love persists, and a saint’s skull becomes the most dangerous thing you can carry.

WHAT IT IS WITHOUT THE SPOILERS
In 1635, with the Thirty Years’ War chewing through villages and bodies alike, Sister Ursula—fresh from the ruins of her convent—crosses paths with Elsebeth, a sharp, stubborn survivor with little patience for piety. When they find the gilded skull of a saint in the arms of a dying man, it becomes both relic and curse: a beacon for forces that do not belong in daylight, and a reason for two strangers to keep moving when stopping means death.

Van Veen builds the novel like a folk hymn sung through cracked teeth: mud, hunger, superstition, devotion, and dread—then threads a fierce, tender intimacy through it that never feels ornamental. The romance isn’t a break from the horror. It’s the nerve exposed inside it.

 

WHAT WORKS FOR MOST

A lived-in historical nightmare: the war isn’t background—it’s pressure on every decision, every moral compromise. 

Folk horror with teeth: the forest feels old, watching, and hungry—mythic without becoming vague. 

Two leads you actually root for: Ursula and Elsebeth aren’t archetypes; they’re survivors with believable tenderness and sharp edges. 

A relic-macguffin done right: the saint’s skull isn’t a gimmick—it reshapes the story’s stakes and symbolism. 

 

WHAT DOESN'T FOR SOME

It’s grim by design: war-era suffering and spiritual horror are baked in—don’t expect “cozy.” 

The prose leans lyrical: if you prefer lean, fast, “plot-first” horror, this is richer and moodier. 

 

WHO IT'S FOR

Read this if you like:

Historical horror that feels dirty and real

Folk horror forests, relics, and blasphemous miracles

 

Skip it if you want:

A light read, or minimal suffering-on-the-page (this is set in 1635 and it acts like it). 

 

THE AFTERTASTE

Bone of My Bone leaves you with that rare, unsettling mix: the sense you witnessed something sacred and wrong in the same breath. It’s a road story through famine and ruin, but the real journey is what happens when devotion breaks—and something colder moves in to take its place.

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